Zombies Of The Gene Pool by Sharyn McCrumb

Zombies Of The Gene Pool by Sharyn McCrumb

Author:Sharyn McCrumb [McCrumb, Sharyn]
Language: eng
Format: epub, mobi
Published: 2011-05-17T08:51:24+00:00


Alluvial-Volume 7, Number 4 June 16, 1958

***Special Issue of ALLUVIAL dedicated to Pat Malone ***

IN MEMORIAM PAT MALONE

By George Woodard, Editor

One of the most powerful, if strident, voices in fandom has been stilled by no less a censor than the Grim Reaper himself, who swept down with his black wings in the night, and carried off Patrick B. Malone, on June 8 in Biloxi, Mississippi.

Word has reached me here in Maryland that Pat Malone has died, and, since this information has not been generally released and since it concerns a fellow Lanthanide, I consider it my somber duty to relay that which I know concerning his passing to the late, great Pat's many associates in the realm of science fiction fandom. According to Jack L. Bexler (editor of JACKAL'S MEAT), he (Jack) received a letter from his (Pat's) widow, Ethel Lucille Malone, who resides in Cupertino, CA. (She did not write to me, one of Pat's oldest friends in fandom, but that is another matter.) Why he died in Mississippi is not clear to this writer. Bexler relates that Pat Malone had been sick for a number of years with a tuberculosis-related illness of some kind, and that he finally died of it this month, in great pain. His body was donated to the WashingtonMedicalSchool, by his own instructions.

Pat will be remembered by his myriad correspondents as one of the founders of ALLUVIAL, one of the leading fanzines of this decade, but he is even better known as an incisive critic of the social order, the Jonathan Swift of fandom, the stinging gadfly of all he surveyed. He is the author of one SF novel, River of Neptune, which is unfortunately out of print, but somewhere in the Library of Congress, his name will be listed for all time.

Who among us has not felt the barbed tongue of Patrick B. Malone? Of course, he will also be remembered for his perceptive analyses of the works of Jules Verne, and for his detailing the fulfillment of Verne's scientific prophecies (e.g. the submarine), but it is his fan-related writings which will make his name ring down through the ages. His opus THE LAST FANDANGO (privately mimeographed) is a classic of social commentary, and it revolutionized the heretofore timid accounts of fan politics and convention activities.

He left the editorship of ALLUVIAL in 1955, when he left the Fan Farm, and I have carried on. I like to think that Somewhere, he will keep reading, and will say, "Well done, Woodard!"

He is gone, and those of us who were his friends will miss his crisp forthrightness. His enemies have lost a chance to change his opinion of them. And we shall not see his like again.

—GEORGE WOODARD, ED.



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